Bound by Storey with red paper cover. Includes author's corrections and notes. Accompanied by a loose notebook page containing a handwritten dedication dated 1912.

Storey's first published work (London: Hutchings and Crowsley, Printers, St. John's Wood). Bound in plain chipboard cover with "Love's Folly" written in pencil on cover. Includes "Love's Folly" and "Juveniles" ("Violetta to Cupid," "A Sonnett by Violetta's Lover," "A Dream," and "A Lover by the Sea Shore").

Fiction, collected and bound by Storey. Includes author's corrections and notes, and a laid in poem, "A Psalm," dated 1853.

Fiction, collected and bound by Storey, although the gatherings are now loose. Includes author's corrections and notes. Also includes notes on "Old Fitch of St. Albans."

Bound by Storey. Includes many corrections, with author's note dated 1863.

Collected and bound by Storey with notebook paper wrapper. Includes author's corrections and additions.

Includes author's corrections, table of contents, and dedication "To those true friends who have taught me to esteem human nature." Also includes a list of proposed additions to dwelling with sketched plan.

Includes "Love's Folly," "Laure", "Ode to Hever Castle," and others. One poem is dated 1905; the rest are from the decade of the 1860s.

Bound by Storey with dark grey paper wrapper. Manuscript of play that includes author's corrections, additions, and notes.

Various writings collected and bound by Storey, although binding cord is now missing. Includes essay comparing music appreciation to art appreciation, and other inserted and laid-in materials of various dates.

Bound by Storey with dark brown paper wrapper. Numbered entries on various art topics. Includes laid in photographic image on paper of portrait (Storey's mother?), and a note "Bath Nov 20/75" by Storey about his book on art.

Discussions of various art topics. Includes pencil sketches, laid in list of artists, and a letter addressed to "My Dearest Mother."

Collection of lectures on various art topics given by Storey, collected and bound into one volume by Storey. On first page, he notes that this book is the "original manuscript of the Bedford Lectures" (see F34).

First work published under his own name (London: John Bumpus, 158, Oxford Street). Original plain paper wrappers, with untrimmed pages. Many pages remain uncut.

(London: John Bumpus, 158, Oxford Street) Red cloth hardcover binding, with "Poems by G. A. Storey" printed on cover.

(London: John Bumpus, 158, Oxford Street) Original plain paper wrappers, with trimmed pages. Includes Storey's pen-and-ink drawing with title "Poems by G.A.S." on cover. Also included is an undated newspaper clipping containing an account of Storey's lecture on the Blenheim Raphael.

Original printed boards, with preface by G. A. Storey (London: Hutchings and Crowsley, Printers, St. John's Wood). Storey signed the front fly-leaf. William John Clayton Storey was Storey's uncle.

Pamphlet containing Storey lecture, printed by the Society for the Encouragement of the Fine Arts, London. Also included is Storey's corrected manuscript.

Author's mock-up for book, bound in red cloth. Includes illustrations and tracings by Storey. The first part, published in 1893, is laid in this volume, and the second part, also laid in, was typeset but not published due to a change in ownership of the journal.

Presentation copy of author's autobiography (London: Chatto & Windus), bound in green cloth, inscribed "F. S. Smallfield from G. A. Storey with very many thanks for his kind assistance in correcting the proofs. Jan. 18, 1899."

Bound in boards by Storey. Includes corrections and translations of poems by Michel Angelo. Accompanied by a undated typewritten preface.

Fiction, bound in boards and corrected by Storey.

Storey reused a number of books for his writings, like this House Inventory Book of Furniture, which contains household inventories with dates of 1832-1856. Storey used this book for several essays. Also inserted into this volume was a receipt for purchase of stock in London North Western Railway in 1875.

Bound in green leather with tab closure. Contains essays by Storey in both French and English, and recipes for various conditions written in an earlier hand. Newspaper clippings and other slips of paper inserted.

Brown paper pasted over hardcover. Contains writings about and advice to art critics.

Bound in paper wrapper by Storey. Handwritten lectures with pasted-in pictures and excerpts from printed sources.

Lectures written, collected and bound in boards by Storey. Includes pencil sketches and diagrams, and a partial draft of his book on perspective. Small note dated 1819 inserted in front.

Notes for lectures collected and bound by Storey, with corrections. Includes 1 watercolor chart.

Bound collection of lectures given by Storey, with some sketches and diagrams.

Bound by Storey. Author's mock-up with many geometrical diagrams. A sketch signed "yours very truly G. A. Storey," was inserted, along with notice of Storey's Meissonier lecture (see F23) and a Reference Library Application Form dated 1899.

Author's mock-up with many diagrams and drawings. Storey writes on the title page, "This book was afterwards much enlarged and improved upon and was published by the Clarendon Press, Oxford under the title The Theory & Practice of Perspective. 1910." (see F47) Includes letter to Storey dated September 28, 1892.

Author's mock-up bound in cloth, with spine title printed in gold, "Primer of Perspective Vol. II." Illustrated with many diagrams.

Anecdotal autobiographical account of Storey's early life and career from 1865 to 1875, collected and bound by author. Includes corrections and additions, and pencil sketch of mother and child on first page.

Essays, notes, lectures, and poems written, collected, and bound by Storey. Includes a section called "Notes on Art," and lecture notes titled "Photography from an artist's point of view--its use and abuse." Also includes a few pages of diary entries from 1848 and 1849, when Storey was in Paris.

Handwritten copy of 1826 letter from Ainsworth to Storey's mother, Emily. Bound in black boards. Included are two of his mother's letters and two letters addressed to "Dolly" (Storey's nickname). Also included is a loose sketch of a young woman on brown paper.

Hardcover leather-bound ledger book that includes lists of silver, silver plate, linen, books, pictures, and mounted sketches by Storey, some of which have "sold" prices written next to them.

Travel diary recording Storey's trip with the Calderons through France and Italy. Includes pencil sketch at end.

Collected and bound by the author. Storey destroyed the original diaries, stating that he kept only "such notes as may be useful in making Sketches from Memory." Largely anecdotal, but details his artistic efforts and records every painting sold during this period. Includes two loose sketches and letters inserted into the volume.

Small vellum-bound sketchbook containing notes on Meissonier and sketches of some of his works. Includes a draft letter by Gladys Storey.

Blue hardcover sketchbook contains preliminary pencil sketches of Margate by Storey. Includes a watercolor "sky composition" with descriptive labels. Also includes a drawing of a lamp by a young Gladys Storey.

Contains bylaws and notice of membership dues for The Arts Club.

Storey's advance copy received March 5, 1910 (Oxford: Clarenden Press). Storey pasted in three reviews. A press cutting of Storey's obituary sent to his daughter Gladys is inserted into the book, along with a sketch of a seating arrangement and a list of individuals under the heading "Perspective."

Revised manuscript of Love's Folly, along with a sonnet and short untitled essay with diagram. Includes a loose newspaper clipping about a lecture given by Storey, a repair invoice with pencil sketches, and a faded photograph of a praying woman.

Also includes several essays.

Also includes very brief essay, "Why Germany Hates England."

Homemade wrappers. Includes laid in notebook pages, "Nietzsche for the War," addressed to the Editor of the Times, Sep. 7th, 1914.

Several essays on art collected and bound by Storey in blue paper wrapper. Includes one diagram.

Collected notes and recopied materials dating from 1893-1908, bound together by Storey. Some exist in separate versions in other notebooks. Accompanied by one notebook sheet containing poem, "Raleigh and the Kings Concience", dated 1905.

Various essays and notes on art written, collected, and bound by Storey. Includes rough draft of essay on photography and art.

Includes pasted-in newspaper clippings related to Francis Bacon.

Art-related essays written, collected, and bound by Storey.

Binding detached. Lectures presented by Storey January 22 to February 28, 1913. Added in pencil inside front cover, "[S]torey, R. A., 1914, on Jan 27th." Includes many diagrams, sketches, and laid-in illustrations from his book on perspective. Also included is draft of letter to "Dear Lamb" requesting gift of money from the R.A. upon his retirement in recognition of his past services. He indicates that he is unable to leave the house due to his health, so the date of the letter is likely 1919.

Storey's collected and bound notes from several publications on light and color. Includes some essays on art written by Storey, including his lecture on light and color delivered at the Royal Academy. Front board detached.

Self-bound typescript composed of anecdotal entries on artists, essays, and poems.

Notes, essays, poems, and stories collected and bound by Storey dating from 1854-1915. Includes laid-in illustrations from other publications, a preface for his second autobiography, and a variety of autobiographical materials.

Miscellaneous collection of notes on variety of subjects, including art, fiction, poetry, and lectures attended by Storey. Also includes items recopied by Storey, and some pasted-in leaves from other notebooks (see F51 for Sardonius).

Vellum-bound ledger with list of paintings and sketches with dates and selling prices. Includes additions made up to 1912. Also includes a list of "The Literary Works of G. A. Storey" made after 1910.

Green leatherbound book with one remaining clasp, and "1824" written on the cover. The rest of the book is blank.

Anecdotes by Storey, collected and bound by the author. Includes a simple pencil sketch of houses.